Just had sort of an ah-ha moment listening to the the Writing Excuses podcast. For those of you not familiar with this cast, it’s a group of published writer, from different genres, discussing different aspects of the writing process. The episode I was listening to, that made me go hmm… was 12.41: Raising the Stakes.
So, this cast was all about what a writer should and shouldn’t do to raise the stakes in their novel to keep the reader engaged without wearing them out. It was all well and good. I was hearing a lot of things I had heard before, then Mary Anne, I believe (it’s very hard for me to put a name to a voice. Not to mention another author on this cast is named Mary) said this about a book called Hild by Nicola Griffiths…
“Mostly it’s very domestic. It’s about a little girl learning how to navigate her world,[…] but you can feel the looming disaster.”
This immediately made me examine my own work (specifically From Stars, Come Dragons,) because I have often worried it focuses too much on the domestic and not enough on the fantastic, at least at first. I raise the stakes for my main character, Henry, very slowly and I worry I will lose people looking for blood.
Then Mary chimes in after her and starts speaking to the plight of new authors and how they feel the need to throw everything at the reader right away to keep them engaged. And how that isn’t the best way to get the reader engaged either because, where do you go from there? How do you raise the stakes, when they’re already so high? But then, this is what most people who read fantasy expect. Or so it seems.
Not me. Not always, anyway.
I love fantasy. But my favorite fantasy books are the ones that burn the slowest. The most recent example I have of this is Cybele’s Secret by Juliette Marillier. Everything in this novel burns slowly. The romance, the plot, the magic, the character development, all of it. It’s now one of my favorite books. This is probably why I tend to write this way. Where the fantasy, and sometimes the plot, takes somewhat of a backseat to the characters and what they’re going through and how what they’re going through affects them achieving or not achieving their goals. But if this isn’t what fantasy readers expect, what do you do?
My answer is, do it anyway. Write what you love. Write the story that begs to be written, in the way it demands to be written. But be mindful of the consequences. Know you’re story will not appeal to everyone’s taste and hope it reaches the audience who will love it for what it is.
I’m happy with my writing. I love my book. I just worry, like I’m sure most writers do, how readers will react to the story that wouldn’t leave me alone.
Anyway, this probably wasn’t super coherent or sensible, but that podcast hit really close to home and I felt the need to spew my thoughts.
I Would love to know what you all think of this and how you handle keeping the reader engaged to the end. Or more to the point, how you deal with the worry of not being able to keep them engaged. And what keeps you engaged as a reader? Is all about the action?
So, yeah… Hit me up with a reply. I’d love to discuss!